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Had the series contented itself with this clutch of characters, it could have churned through soapy plot turns - betrayals, breakups, revelations, etc. And there's Julian (Ryan O'Connell), Brodie's sardonically nerdy younger brother who was born with cerebral palsy. There's Mingus (Fin Argus), one of Ruthie's high school students who's taking their first steps into embracing drag. There's also Noah (Johnny Sibily), Brodie's ex, who's hiding the fact that he's been hooking up with Daddius (Chris Renfro) for reasons that soon become clear. The queer community's tendency to build and police strict silos based on race, age, body type, gender, income and disability was not something the old homogenous Queer as Folk series felt they needed to address, and largely didn't.īut the new Queer as Folk eagerly embraces the challenge of creating a diverse network of characters not merely for the sake of doing so, but as a means to let them meaningfully interact and delineate themselves, to variously clash and come together until they emerge as fuller, more rounded people in the eyes of the viewer.ĭialogue veers from an affronted lecture about intersectionality to a really solid joke about poppers. What's new, besides the series' matter-of-fact diversity, is how much the show's creators have clearly thought about depicting its range of characters and situations, and giving them real reasons to meaningfully co-exist within the same social circle.
Dialogue veers from an affronted lecture about intersectionality to a really solid joke about poppers. Even so, many of the old flaws persist: The characters are selfish and hopelessly enamored of themselves. The new Queer as Folk has broadened the palette, which means it can tell stories and give voice to characters the old series never could or did. And while they are to be commended for storytelling that was always less concerned with chasing mainstream straight acceptance than the Will and Grace-s of the world, both told their stories from a narrow and familiar point of view that centered the travails of the young, white, cis gay man with a gym membership. series were sexy, sometimes funny, sometimes moving, but deeply flawed projects. A fusillade of queer pop-culture references that serve as a series of dog-whistles to reassure queer audiences that they're represented in the show's writers room. Breezy dialogue that tends to lapse into distinctly non-breezy self-righteous speechifying, and/or. Noxiously self-involved if not lightly repellent, yet who somehow manage to remain surrounded by a tight circle of mystifyingly supportive friends, all of whom talk in.
Queer characters who have explicit sex a tremendous lot, most of whom are. A blithe, defiantly melodramatic sensibility ( QaF is a soap, first, last and always) and a cast of. series that followed (they ran on Channel 4 and Showtime, respectively, back at the turn of the century), here's what you will need to bring to the table.ġ. If you've been tasked with rebooting Queer as Folk for the present day, and wish to stick to the general narrative parameters shared by both the original U.K.